“Bye Bye Birdie” and “Annie,” the composer Charles Strouse’s most popular musicals, were not just big hits that are regularly revived on professional and amateur stages. They captured essential elements of American culture, including a yearning for escape from an older generation’s shackles and a can-do spirit to overcome adversity.

Strouse, who died Thursday at 96, wrote jingles, pop songs and movie scores, but he remains famous for his Broadway shows. In addition to those two blockbusters, three others help make up his career peaks.

Here are five numbers that illustrate Strouse’s suppleness as a composer and his knack for instantly hummable melodies.

1960

‘Bye Bye Birdie’

Few musicals showcase as many great numbers as this hit about the Elvis Presley-like star Conrad Birdie, who, as a publicity stunt, visits a Midwest family before shipping off to the Army. The movie version, from 1963, is one of Hollywood’s best musicals of that decade, even though it made big changes to the show. The most egregious was casting Janet Leigh in the role of Rose Alvarez, played by Chita Rivera on Broadway. But it is hard to nitpick with the focus being shifted to Kim, a teenager discovering her sultry side, because she was played by Ann-Margret in an explosive performance that made her a star — she was particularly electric in the number “A Lot of Livin’ to Do.”

Bonus video: In 2024, Vanessa Williams performed that song at the annual Miscast event, keeping the pronouns originally sung by Conrad Birdie intact.